John Chervinsky
Coffee Cups and Paintings on Door, 2011
Archival Pigment Print
24 x 30 Inches
Edition 4 of 5

Take time to truly savor this unorthodox photograph by conceptual artist John Chervinsky, curated by Michelle Bello, now available at Sloan Miyasato Fine Art. Chervinsky says this about his work:

“My process is as follows:
1) Compose and photograph a still life.
2) Crop a subset of the image and send it to a painting factory in China.
3) Wait for an anonymous artist in China to complete an actual oil painting of the cropped section, and send it to me in the mail.
4) Reinsert the painting into the original setup and re-photograph.

As with previous work, I’m interested in issues relating to perspective. I’m interested in the tensions expressed in the comparison between reality versus representation. I’m interested in what happens when I collaborate with another artist who has no idea that he or she is involved in a collaboration, and I’m interested in seeing and expressing subtle changes over time that we might otherwise take for granted.”

Chervinsky’s work is held in numerous public and private collections including the Museum of Fine Arts in Houston, the Museum of Art in Portland, and the Fidelity Investments Collection. He spent 18 years running a particle accelerator at Harvard University and has collaborated with museums using accelerator technology in the analysis of art. He currently works at Harvard’s Rowland Institute for Science, founded by Polaroid’s Edwin H. Land.

Pricing
Tommy Talbot
(415) 431-1465 tommyt@sloanm.com

Sloan Miyasato
2 Henry Adams Street, Suite 212
San Francisco, CA 94103

Hours
Monday through Friday, 9am to 5pm

Curator
Michelle Bello Fine Art Consulting
(415) 317-5975 info@michellebello.com

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Kathryn Van Dyke
Untitled, 2011
Gouache, Watercolor, Graphite on Paper
8 x 6.5 Inches

Sloan Miyasato Fine Art is pleased to present the collages of Kathryn Van Dyke, curated by Michelle Bello. Featuring geometric patterns in oil, graphite, and repurposed printed text, these small works on paper are harmonic explorations of the surface’s ability to produce meditative and poetic experiences. Van Dyke experiments freely with different surface textures to create a rich experience for viewers. Painted over pages taken from books and manuscript auction catalogues, the works eloquently manipulate text in ways that add editorial dimensions to the overall aesthetics.

Kathryn Van Dyke received her MFA from Yale University, and holds a BA in political economy from University of California at Berkeley and a BA in painting from California College of the Arts. She has exhibited her work at the San Francisco Museum of Modern Art, Oakland Art Museum, Tacoma Art Museum, and Yerba Buena Center for the Arts. She was also the recipient of a Society of the Encouragement of Contemporary Art (SECA) award and a Headlands Center for the Arts residency.

Inquiries:
Tommy Talbot (415) 431-1465 tommyt@sloanm.com
2 Henry Adams Street, San Francisco, M-F, 9am-5pm
sloanmiyasatofineart.com

Kathryn Van Dyke
Latitude, Longitude–Rectangular Spiral with Ultramarine Center, 2011
Gouache, Watercolor, Graphite on Paper
6 x 8 Inches

Kathryn Van Dyke
Untitled, 2011
Gouache, Watercolor, Graphite on Paper
7.5 x 10 Inches

Pricing
Tommy Talbot
(415) 431-1465 tommyt@sloanm.com

Sloan Miyasato
2 Henry Adams Street, Suite 212
San Francisco, CA 94103

Hours
Monday through Friday, 9am to 5pm

Curator
Michelle Bello Fine Art Consulting
(415) 317-5975 info@michellebello.com

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Audrey Tulimiero Welch
Day 27, 2010
Mixed Media on Canvas
48 x 48 Inches

Paintings by Audrey Tulimiero Welch, curated by Michelle Bello, are now available at Sloan Miyasato Fine Art. Welch spent ten years in Sumatra and Bangkok, and now calls Perth, Australia home. These abstracts, painted during her last year in Bangkok, clearly show the influence of Far Eastern sensibilities. She superimposes meandering road-like lines over complex surfaces. The roads crisscross the canvas forming dense masses in some places and wander solo through unmapped territories in others. In doing so, she explores our basic human instinct to root ourselves in our surroundings and the fundamental drive within us for permanence.

“Line in my work marks the trace of the body in time and space. Line marks travel from one place to the next, becoming an index for journey. The dense masses of labyrinthine marks in my work function as a mapping structure for place–mapping and tracking interior frontiers, beyond the restrictions of external geographic locations.”

Inquiries:
Tommy Talbot (415) 431-1465 tommyt@sloanm.com
2 Henry Adams Street, San Francisco, M-F, 9am-5pm
sloanmiyasatofineart.com

Audrey Tulimiero Welch
Hereford Map, 2010
Acrylic on Canvas
48 x 48 Inches

Audrey Tulimiero Welch
Hereford Map, 2010 (Installation View)
Acrylic on Canvas
48 x 48 Inches

Pricing
Tommy Talbot
(415) 431-1465 tommyt@sloanm.com

Sloan Miyasato
2 Henry Adams Street, Suite 212
San Francisco, CA 94103

Hours
Monday through Friday, 9am to 5pm

Curator
Michelle Bello Fine Art Consulting
(415) 317-5975 info@michellebello.com

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Casper Brindle
Raleigh Scattering, 2014
Automotive Paint and Resin on Panel
30 x 58 Inches

Sloan Miyasato Fine Art is fortunate to have this exemplary piece by Los Angeles artist Casper Brindle, curated by Michelle Bello. With its gleaming surface of resin, this perfectly proportioned work spectacularly captures the blues of the Pacific coast for which Brindle in known. Read more about the artist here.

Pricing
Tommy Talbot
(415) 431-1465 tommyt@sloanm.com

Sloan Miyasato
2 Henry Adams Street, Suite 212
San Francisco, CA 94103

Hours
Monday through Friday, 9am to 5pm

Curator
Michelle Bello Fine Art Consulting
(415) 317-5975 info@michellebello.com

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Judith Foosaner
Aerial Excursion, 2005
Oil on Canvas
60 x 60 Inches

Paintings by Judith Foosaner, curated by Michelle Bello, are now available at Sloan Miyasato Fine Art. With her emphasis on drawing and its place in the shifting fortunes of painting, Foosaner intensely and relentlessly probes the possibilities of line. Gravity and flight, speed and resistance, weight, pressure, and direction are all present. Dance, music, literature, and calligraphy inform her art. A longtime professor at California College of the Arts, this master of the linear lives and works in Berkeley, California.

“Certainly my work is greatly influenced by calligraphy–primarily Chinese and Japanese. I don’t know if it’s a correct definition, but my idea of calligraphy is a marriage of line and space. There is rhythm. There is movement. If there is a pause, it is pregnant. Expectant. Each mark calls space into being.”

Inquiries:
Tommy Talbot (415) 431-1465 tommyt@sloanm.com
2 Henry Adams Street, San Francisco, M-F, 9am-5pm
sloanmiyasatofineart.com

Judith Foosaner
Water Music, 1997
Oil on Canvas
54 x 60 Inches

Judith Foosaner
Push Come to Shove, 2003
Oil on Canvas
66 x 78 Inches

Pricing
Tommy Talbot
(415) 431-1465 tommyt@sloanm.com

Sloan Miyasato
2 Henry Adams Street, Suite 212
San Francisco, CA 94103

Hours
Monday through Friday, 9am to 5pm

Curator
Michelle Bello Fine Art Consulting
(415) 317-5975 info@michellebello.com

Follow
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Instagram   Google+   Pinterest

sloanmiyasatofineart.com